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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
Saturday, 19 May 2012 Mail to AWI: service@angklung-web-institute.com
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AWI Home arrow AWI Course Material arrow Latihan Angklung - Teknik Pemanasan arrow LATIHAN ANGKLUNG - PEMANASAN!

LATIHAN ANGKLUNG - PEMANASAN! Print E-mail
Ditulis Oleh: HALIDA DESRIANI AWI   
Friday, 12 August 2005
Pemanasan dalam kamus bahasa Indonesia berarti ....... Dalam dunia per-angklung-an dikenal juga pemanasan. Sedikit berbeda dengan pemanasan dalam berolah raga, namun memiliki prinsip yang sama, yaitu untuk mempersiapkan diri menghadapi permainan.

Pemanasan dilakukan sebelum tim mulai berlatih ataupun sebelum penampilan. Beberapa tujuan dilaksanakan pemanasan :


a. Secara fisik

Dengan pemanasan, pemain tidak akan “syok” secara fisik. Otot-otot lengan akan lebih lentur sebelum bermain. Otomatis dengan melakukan pemanasan, cedera kecil akibat kesalahan cara menggetarkan angklung akan dapat dihindari.

Untuk menghasilkan getaran yang baik, pemain harus mampu mengenali angklung yang akan dimainkannya satu per satu. Perbedaan dalam ukuran, berat, jenis bahan bambu, atau bentuk rautan tiang, akan memberikan karakteristik yang berbeda pada setiap angklung sehingga diperlukan perlakuan khusus dari pemain untuk dapat menggetarkannya dengan baik. Pemanasan merupakan waktu yang tepat untuk melakukannya.

Pada saat pemanasan ini pula, pelatih dapat mengarahkan pemain untuk menggetarkan angklungnya sesuai dengan pola yang akan digunakan dalam lagu. Tentang ini akan dibahas kemudian.


b. Secara psikis

Pemanasan dapat membantu persiapan mental pemain dan pelatih. Selain menghindari “syok” terhadap permainan lagu -yang sulit-, pemanasan juga dapat membantu pemain  dan pelatih untuk lebih memfokuskan dirinya pada latihan/penempilan. Pemain sedikit demi sedikit mengalihkan perhatiannya dari ‘dunia luar’ ke proses latihan. Sehingga latihan dapat berjalan lebih efektif. Pada saat ini dapat juga dimanfaatkan oleh pemain untuk mulai menganali ‘gaya’ pelatih dalam memberikan instruksi, baik itu pada saat latihan atau pada saat penampilan berlangsung.

Banyak orang beranggapan pemanasan hanya membuang waktu dan energi, namun fakta membuktikan bahwa tim yang melakukan pemanasan dengan baik akan memperoleh kemajuan yang signifikan.


Dengan pemanasan pemain menjadi lebih konsentrasi dan terampil untuk memainkan angklung

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Latest Comments

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kalok di yogyakarta tempat latian di mana bang...!!

By: aden

[2012-03-08 08:03:57]

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

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[2011-10-08 18:49:17]

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