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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
Saturday, 25 May 2013 Mail to AWI: service@angklung-web-institute.com
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AWI Home arrow AWI News &amp; Event arrow Angklung News arrow AWI NEWS: TIM MULTIPLATFORM PERTAMA DI DUNIA (23 FEBRUARI 2009)

AWI NEWS: TIM MULTIPLATFORM PERTAMA DI DUNIA (23 FEBRUARI 2009) Print E-mail
Kontributor: Ifah Hanifah AWI   
Sunday, 15 March 2009

Hotel Preanger Indonesia merupakan tempat dimana kemeriahan suara angklung diperdengarkan. Angklung Web Institute (AWI) bekerja sama dengan manajemen hotel telah mempersiapkan konser bamboo malam itu (22/2). Konser yang mulai pukul 8 malam waktu Indonesia tersebut bertajuk “Enchanting Night”

Musim penghujan sedang melanda Bandung, tetapi hal tersebut tidak menghalangi para penonton  datang ke hotel mewah tersebut untuk mendapatkan tempat duduk yang nyaman karena mereka tidak ingin melewatkan konser tersebut bahkan untuk satu menit pun. Salah satu penonton yang hadir yaitu Taufik Udjo yang merupakan salah satu orang penting yang mengorganisir Saung Angklung Udjo. Dia memberikan aplaus yang meriah untuk konser luar biasa ini.

Tujuan diselenggarakannya konser ”Enchanting Night” ini adalah untuk memperkenalkan team multiplatform pertama di dunia yang menggunakan bambu untuk memainkan bermacam-macam lagu dari seluruh dunia. Alat musik yang mereka gunakan adalah Angklung dan Arumba (Alunan Rumpun Bambu). Alasan penggunaan kata “Multipaltform” yaitu berdasarkan latar belakang para pemain. Tim tersebut terdiri dari pelajar SMP dan SMA, mahasiswa, guru, ibu rumah tangga, dan pegawai. Nama dari tim angklung tersebut ialah “Temen Awi Angklung Orchestra (TAAO)” dan tim arumba disebut ”Insperto Arumba”. Kedua tim spesial ini diorganisir oleh Angklung Web Institute (AWI).

Tepat pukul 8 malam, konser di buka oleh Mc. Imam dengan penampilan pertama dari Insperto Arumba. Mereka memainkan beberapa lagu seperti Tea For Two, Donau Wellen, Medley dan lagu pop Indonesia dari ST 12 ”Cari Pacar Lagi”.

Arumba parahiyangan merupakan bintang tamunya. Tim ini sangat terkenal ke seluruh dunia disebabkan pangalamannya dan keberadaannya. Mereka memberikan performa terbaiknya dan mempertunjukkan Pachito El Che, Blue Moon, Tilil (lagu tradisional sunda), Hungarian Dance dan terakhir adalah Measquenada.

Terakhir adalah pertujukkan yang ditunggu-tunggu, yaitu penampilan dari Temen Awi Angklung Orchestra (TAAO). Dengan menggunakan jas dan gaun berwarna hitam oranye, para pemain membuka konser spektakuler tersebut dengan “Also Sprach Zarathustra” yang dipimpin oleh Bapak Edward C. Van Ness (dirijen dari Amerika), disambung dengan Lalayaran (lagu tradisional sunda) yang dipimpin oleh Irma Noorhaty AWI, kemudian Somewhere My Love, dan dua penyanyi hebat mengiringi musik angklung dengan menyanyikan “O Solemio and Li Biamo“. Santorini pun tidak ketinggalan  dimainkan dengan semangat dengan dirijen Roswita  Amelinda awi Dirijen tamu yang ikut serta dalam konser yaitu Bapak Obby Wiramihardja (Dirijen kenegaraan) dan Bapak Edward C. Van Ness (dirijen dari Amerika). Pada akhir penampilan, TAAO mempertunjukkan penampilan terbaik mereka dengan memainkan “Climb Every Mountain”. Riuh tepuk tangan dihadiahkan para penonton untuk mereka pada malam itu.

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