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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
Wednesday, 08 September 2010 Mail to AWI: service@angklung-web-institute.com
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AWI Home arrow AWI News &amp; Event arrow Angklung News arrow PEMASARAN INDUSTRI KREATIF BAMBU HARUS DIBENAHI (AgusBandungBlogspot.com, 17 Juli 2008)

PEMASARAN INDUSTRI KREATIF BAMBU HARUS DIBENAHI (AgusBandungBlogspot.com, 17 Juli 2008) Print E-mail
Ditulis Oleh: Argus Firmansah   
Thursday, 17 July 2008
ImageIndonesia memiliki 7000 jenis bambu yang berpotensi untuk dikembangkan menjadi ekonomi kerakyatan dengan mengembangkan kreatifitas masyarakat lokal melalui kreasi produk yang dapat dikonsumsi oleh pasar dunia.

Saat ini, bambu sudah dikembangkan secara ekonomi oleh Saung Angklung Udjo dengan menggelar pertunjukan musik bambu, yaitu musik angklung. Selain berdampak ekonomi yang positif, bambu juga dikembangkan melalui alat musik yang berfungsi ganda, yaitu seni pertunjukan dan sarana pendidikan musik.

Program wisata budaya yang dikembangkan Saung Angklung Udjo di Bandung sudah memberikan sumbangan devisa kepada negara yang cukup signifikan. Tidak hanya itu, seni pertunjukan angklung juga memberikan dampak ekonomi kepada masyarakat sekitar dengan pembinaan menjadi sentra industri angklung guna memenuhi kebutuhan pasar alat musik angklung dengan perputaran uang senilai 10 miliar rupiah per tahun.

Konsep community development yang dikembangkan dalam industri kreatif bambu itu sekarang sudah bisa menghidupi 200 keluarga dan 121 pengrajin bambu yang aktif se-Jawa Barat.

Meski demikian pola pembinaan industri kreatif berbasis ekonomi kerakyatan dengan memanfaatkan komoditas bambu perlu diperbaiki untuk pencitraan internasional bahwa komoditas bambu adalah kekayaan sekaligus kearifan lokal yang bernilai ekonomis.

Komoditas bambu berpotensi tinggi secara ekonomi dengan kemasan pertunjukan musik angklung. Untuk meluaskan pasar komoditas yang dikreasi melalui bambu maka Saung Angklung Udjo akan menggelar Workshop dan Temu Pasar Kerajinan Bambu pada tanggal 5-29 Agustus 2008 di Saung Angklung Udjo, Bandung.

”Bambu sangat potensial menjadi basis ekonomi kerakyatan dengan mengembangkan industri kreatifnya yang saat ini memiliki permintaan pasar yang sangat besar,” kata SatriaYanuar Akbar, Operational Director Saung Angklung Udjo, di Bandung, Kamis (17/7) pagi.

Kenaikan nilai ekonomi dan investasi pada tahun 2006-2007 tercatat sebuah peningkatan 92% atau 3 miliar rupiah untuk memenuhi sebagian besar pasar komoditas di Korea, Jepang, dan Malaysia. Sementara itu pada semester pertama tahun 2008 tercatat nilai perputaran uang sebesar 10 miliar rupiah di kawasan kecamatan Padasuka, Bandung.

Satria lebih lanjut mengatakan bahwa investasi itu berlangsung dengan konsep community development sehingga terbangun ketergantungan secara bersama karena satu sama lain saling menghidupi. Misalnya, produksi petani bambu disalurkan kepada pengrajin pada beberapa unit kerja, antara lain produksi angklung, pemasaran dan after selling.

Agus Muharam dari Dinas Perindustrian dan Perdagangan - Deperindag RI, mengatakan saat ini perlu dikembangkan konsep one village one product.

”Konsep itulah yang kini sedang berjalan di bawah pengelolaan industri kreatif bambu Saung Angklung Udjo,” pungkas Satria Yanuar Akbar.

Dengan demikian, perlu sinergitas semua pihak untuk memberikan dorongan positif terhadap investasi industri kreatif. Sehingga sentimen nasionalisme dan kearifan lokal yang mendorong peningkatan permintaan pasar melebihi 10 miliar rupiah per tahun dapat dimanfaatkan secara maksimal.

Ditargetkan masyarakat dapat terlibat secara ekonomi untuk kesejahteraannya. Petani yang sudah aktif mendorong industri bambu ini antara lain Sumedang, Suakbumi, dan Majalengka.

Program Workshop dan Temu Pasar Kerajinan Bambu pada tanggal 5-29 Agustus 2008 di Saung Angklung Udjo Bandung nanti akan menghadirkan 93 buyer potensial, 5 universitas se-Jawa Barat untuk menopang manajemen kemasan produk, serta melibatkan 10 kelompok industri kreatif binaan.

Melalui strategi pewacanaan itu diharapkan masyarakat Jawa Barat dapat terlibat guna memenuhi kebutuhan produk bambu yang saat ini mencapai 19.000 unit per bulan, padahal kemampuan para pelaku industri baru mencapai 6000 unit per bulan. (Argus Firmansah/Bandung)
 

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Latest Comments

Terima kasih

Kayanya seru juga kalau dicoba. Terima kasih :)

By: Susi

[2010-05-01 07:45:05]

terima kasih

senangnya bisa banyak tau ttg angklung.

By: Aini

[2010-04-15 00:25:50]

cari partitur sebelah mana

sebenernya saya gy pengen partitur biar nambah koleksi...

By: febri1

[2009-09-13 01:05:01]

thanx... perbanyak informasinya yah...?

:)

By: