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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Detik.com arrow LAPORAN DARI BOLOGNA - BELLISSIMA, Angklung Indonesia! (detik.com, 26 Juli 2008)

LAPORAN DARI BOLOGNA - BELLISSIMA, Angklung Indonesia! (detik.com, 26 Juli 2008) Print E-mail
Ditulis Oleh: Administrator AWI   
Saturday, 26 July 2008
ImageBologna - Gemuruh tepuk tangan penonton menggetarkan Teatro Manzoni, Via De Monari, Bologna, Italia. Mereka mengapresiasi penampilan spektakuler Keluarga Paduan Angklung SMA Negeri 3 Bandung (KPA3). Bravi! Bellissima! Hebat! Bagus sekali!
 
Berbusana tradisional Indonesia dari berbagai daerah, anak-anak SMA 3 Bandung pada Kamis siang (24/7/2008) itu mengalunkan suara magis angklung dalam lagu populer Italia O Sole Mio, Santorini dan lagu-lagu populer internasional lainnya seperti When You Believe, New York New York, dan La Vie En Rouge.

Mereka hadir di Bologna dalam rangka mengikuti 28th International Society for Music Education (ISME) World Conference 2008 (22–24/Juli 2008). "Ini merupakan salah satu konferensi musik bergengsi dunia, yang menampilkan nuansa-nuansa musik dunia, diikuti oleh anak-anak dan dewasa dari berbagai negara," Koordinator Pelaksana Fungsi Pensosbud KBRI Roma Pramudya Sulaksono kepada detikcom menjelaskan.
 
Selain presentasi musik angklung, rombongan KPA3 yang dipimpin Burhannudin Sutisna ini juga menampilkan tari-tarian dari berbagai daerah (folklore). Lawatan misi kesenian dan kebudayaan Indonesia yang diemban KPA3 ini memang dalam rangka mempromosikan kebudayaan Indonesia, sehingga diharapkan Indonesia dapat lebih dikenal di Italia.

Return yang diharapkan adalah Indonesia dapat menjadi tempat alternatif tujuan wisata masyarakat Italia, khususnya di daerah-daerah yang sedang dan akan didatangi misi kesenian KPA3 tersebut.

Setelah dari ISME di Bologna, KPA3 selanjutnya akan mengikuti serangkaian festival lainnya di Italia antara lain: Norbanusfestival ke-12 La Cultura del Folklore per la Pace Dei Popoli di kota Norma, Termoli, Maenza dan Frascati pada 24-31/7/2008.

Kemudian disusul dengan Rassegna Internazionale del Folklore ke-31 di Castiglione del Lago (Perugia), serta Festival Internazionale del Folklore Colli Cimini pada 31/7 - 5/8/2008 dan kembali ke tanah air pada 7/8/2008.

Sebelumnya KPA3 telah tampil dalam International Festival Petras di Athena, Yunani, pada 16-17/7/2008 dan di beberapa negara lain seperti Jerman, Perancis, Belgia, Skotlandia, Polandia dan Ceko.
(es/es) 

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By: ifah

[2008-11-08 10:00:52]

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:) terimakasih...

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