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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News & Event arrow Angklung News arrow AWI NEWS : DUA JUARA ANGKLUNG BERKOLABORASI DI SINGAPURA (18 Juni 2008)

AWI NEWS : DUA JUARA ANGKLUNG BERKOLABORASI DI SINGAPURA (18 Juni 2008) Print E-mail
Ditulis Oleh: Ifah Hanifah AWI   
Tuesday, 15 July 2008

Dua tim angklung juara yaitu SMP. St. Yusup (Indonesia) dan Raffles Girls’ School (Secondary) dari Singapura, berbaur dalam konser angklung yang bertajuk “Volare, come fly with us”. Konser tersebut merupakan puncak acara 1st International Angklung Symposium (17/6).

Keluarga Paduan Angklung St. Yusup (KPAS) yang berada dibawah asuhan Yadi Mulyadi SPd. merupakan juara bertahan untuk tingkat SMP pada Festival Angklung Bianglala di Bandung dan Festival Angklung di Institut Teknologi Bandung, sedangkan Raffles Girls’ School (Secondary) yang dilatih oleh Ms. Faridah Jamal merupakan juara bertahan pemenang Gold pada Singapore Youth Festival (SYF).

Konser dibuka dengan penampilan dari tim angklung RGS dengan beberapa lagu yang diransemen langsung oleh pelatihnya sendiri, diantaranya Quizas, Quizas Quizas, Hamidah, Tandak Sambas, dan lagu ciptaan Faridah Jamal yaitu Jamu & Gingseng. Penonton pun diikutsertakan untuk menyanyikan lagu Fly Me to The Moon sambil diiringi permainan angklung dan kolintangnya.

Penampilan peserta simposium, menyela acara konser tersebut. Penampilan mereka dipimpin langsung oleh para pembicara simposium, mulai dari Obby Wiramihardja, Budi Supardiman, Very Madrianto dan Nisa Mustikawati.

Riuh tepuk tangan menyertai penampilan tim KPA St. Yusup, pada acara penutupan konser ”Volare” tersebut. Penampilan KPAS membuktikan kepada dunia perangklungan Singapura mengenai kehebatan permainan angklung dari Indonesia. Mereka memainkan beberapa lagu tradisional Indonesia seperti Yamko Rambe Yamko dan Janger, tidak ketinggalan juga lagu internasional seperti New York New York, Villia, Besame Mucho, Mama Mia, dsb

”Penampilan tim KPAS telah memberikan pembaharuan untuk tim-tim angklung yang ada di Singapura ini” tutur pelatih dari Singapura, Faridah Jamal.

Catatan Redaksi AWI: Event ini adalah salah program pementasan ke luar negeri yang diselenggarakan melalui kerjasama dengan Angklung Web Institute (AWI). Bagi Sekolah atau Kelompok yang berminat melakukan program pengembangan tim angklung serta pementasan di luar negeri melalui kerjasama dengan AWI dapat menghubungi AWI via email ke . Alamat Email ini dilindungi dari bot spam, Anda Harus Mengaktifkan Javascript Untuk Melihatnya, AWI Contact-Us atau telepon/SMS ke 0812 1465 158. 

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