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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News & Event arrow Angklung News arrow ANGKLUNG UDJO TARGETKAN 15 KONSER MANCANEGARA (Antara News, 12 Februari 2008)

ANGKLUNG UDJO TARGETKAN 15 KONSER MANCANEGARA (Antara News, 12 Februari 2008) Print E-mail
Written by Administrator AWI   
Tuesday, 12 February 2008
Bandung (ANTARA News) - Padepokan Saung Angklung Udjo Kota Bandung, Jawa Barat, menargetkan 15 kali konser mancanegara selama 2008.

"Sebagai konser pembuka di luar negeri, pada Maret - April 2008 kami akan konser di Turki, Afrika Selatan dan Roma," kata Pimpinan Saung Angklung Udjo, Taufik Hidayat Udjo, di Bandung, Selasa.

Menurut Taufik, animo masyarakat luar negeri terhadap pagelaran atau konser musik tradisional cukup tinggi termasuk musik angklung.

Taufik mengatakan, sambutan penonton di luar negeri cukup antusias, gedung-gedung pertunjukan pun selalu penuh pada saat konser angklung.

"Rata-rata kita konser di dalam gedung, jarang konser secara out door. Konsep konser kita tahun ini sama seperti sebelumnnya namun ada beberapa yang baru," kata putra sulung Alm. Udjo Ngalagena, tokoh angklung itu.

Dalam setiap pentasnya, Saung Angklung Udjo selalu menampilkan kegiatan "Kaulinan Urang Lembur" (Permainan Orang Kampung" seperti helaran seni, tarian Sunda, angklung orkestra, alunan rumpun bambu (arumba) serta angklung interaktif yang melibatkan penonton.

Selain itu, Saung Angklung Udjo juga mempersiapkan puluhan ribu buah angklung untuk keperluan konsernya sepanjang 2008.

Sementara itu, Saung Angklung Udjo yang berlokasi di Jalan Padasuka Kota Bandung, merupakan salah satu padepokan seni unggulan untuk mendukung "Visit Indonesia Years (VIY) 2008" dan "Visit West Java Years 2008".

Selain menikmati suasana "Kampung Sunda" di kompleks Saung Angklung Udjo, para pengunjung bisa belajar memainkan angklung, melihat proses pembuatan angklung hingga berbelanja souvenir khas tanah Parahyangan.

Suasana saung angklung seluas 7.000 meter persegi yang didirikan Udjo Ngalagena (almarhum) tak pernah sepi dari pengunjung. Rata-rata per hari sanggar seni itu menggelar dua hingga tiga kali pementasan angklung dengan rata-rata berdurasi dua jam.

"Selain datang, pengunjung juga berkesempatan bermain angklung bersama," kata Taufik menambahkan. (*)

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