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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Okezone.com arrow UNPAD PECAHKAN REKOR MAIN ANGKLUNG TERBANYAK (Okezone.com, 27 Agustus 2007)

UNPAD PECAHKAN REKOR MAIN ANGKLUNG TERBANYAK (Okezone.com, 27 Agustus 2007) Print E-mail
Kontributor: TB Ardi Januar   
Monday, 27 August 2007

ImageBANDUNG – Universitas Padjajaran (Unpad) Bandung memecahkan rekor Museum Rekor Indonesia (Muri) yaitu 10 ribu orang memainkan alat musik angklung. Para pemain merupakan gabungan dari  mahasiswa S1, D3, ekstensi, mahasiswa baru dan civitas akademika Unpad.

Selain mahasiswa, Menteri Kebudayaan dan Pariwisata (Menbudpar) Jero Wacik Guburnur Jabar Danny Setiawan, dan Rektor Unpad Ganjar Kurnia. Mereka berkumpul di halaman kampus di Jalan Dipatiukur Nomor 35, Bandung, Jabar .

Menurut ketua pelaksana acara Reiva Tanwir Kartasasmita, pemecahan rekor MURI bertujuan memeriahkan HUT Unpad ke-50 dengan tema “Bagimu Negeri”. Kemudian, mengikrarkan dan mengekspos bahwa angklung sebagai alat musik tradisional Sunda.

“Kami juga mengajak masyarakat luar, khususnya kawula muda untuk lebih peduli dalam melestarikan budaya daerah. Kami juga ingin membangun semangat berkreasi akan seni budaya bagi masyarakat,” tegas Reiva.

Berdasarkan catatan MURI, rekor sebelumnya diciptakan karyawan BNI pada 8 Juli 2006. Saat itu, 2.421 karyawan Bank BNI bermain angklung.

Selain pejabat negara dan pemerintah daerah, acara itu juga dihari beberapa bintang tamu seperti Miss Indonesia 2007, Kamidia Radisti (23), penyayi Andien, serta dua mahasiswa Unpad yang juga jebolan Indonesia Idol yaitu Ghea dan Brinet.

Dalam memainkan angklung didukung Dwiki Dharmawan dan Saung Angklung Udjo. Bertindak sebagai konduktor angklung adalah Sam Udjo dan Ika Widya. Puluhan orang menyanyikan beberapa lagu di antaranya, “Indonesia Pusaka”, “U Raise Me Up” dan “Pileuleuyan”. (fmh)

TB Ardi Januar - Okezone

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