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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Others arrow TITIEK PUSPA MERASA ADA DI SURGA (Mahasiswa.com 3 November 2007)

TITIEK PUSPA MERASA ADA DI SURGA (Mahasiswa.com 3 November 2007) 印刷 E-mail
投稿者 Ifah Hanifah AWI   
2007年 November 03日 Saturday

ImageArtis senior Titiek Puspa genap berusia 70 tahun, Kamis (1/11). Bagi Titiek, usia tersebut merupakan sebuah keajaiban. Serangkaian acara dilakukan Titiek untuk melampiaskan rasa terima kasihnya kepada Tuhan. Setelah menanamkan 70 pohon pada 28 Oktober lalu, kemarin, Titiek menyelenggarakan acara pengajian sekaligus santunan untuk 70 anak yatim.

Pagi harinya, sekitar pukul 05.00, wanita kelahiran Tanjung, Kalimantan Selatan, itu melepaskan 70 ekor merpati. Beberapa bulan lalu, Titiek juga telah melaksanakan nazarnya, yakni berpuasa 70 hari berturut-turut. Tidak sampai di situ, Titiek membuat satu lagu religi berjudul Terima Kasih Tuhan.

Pada acara yang diselenggarakan di Wisma Puspa, Pancoran, Jakarta, tersebut, Titiek mendapat hadiah berupa rangkaian acara kejutan dari orang di sekitarnya. Termasuk sajian permainan angklung dan hadiah kue tar cokelat berbentuk piano dengan ukuran 1,5 meter x 1,5 meter dari para karyawannya.

Mendapat itu semua, Titiek yang terlihat cantik mengenakan gaun putih tampak termangu kehabisan kata-kata.

"Saya merasa ada di surga. Saya dikelilingi oleh keluarga, pegawai, dan teman-teman yang mencintai saya," ungkap Titiek kepada wartawan.

Saat ditemui wartawan, Titiek ditemani musikus Gito Rolies. Kebetulan, hari itu, Gito juga berulang tahun ke-60.

Tidak salah kiranya jika Titiek menyebut apa yang diraihnya sebagai keajaiban. Di usia 70, Titiek masih dikaruniai kesehatan yang cukup prima.

"Padahal, dalam sehari, saya bisa mendatangi tiga sampai empat tempat berbeda. Tapi, saya masih auoo..," kelakar Titiek menirukan suara Tarzan.

Kulit kencang dan rambut hitam Titiek seakan menampik usia tua yang telah dipijaknya. Meski begitu, Titiek tetaplah seorang nenek dari 14 cucu. Kesan tua dirinya terlihat saat hendak memperkenalkan cucu-cucunya kepada para tamu. Titiek sempat lupa dengan nama beberapa cucunya. Para tamu pun terbahak menyaksikan hal itu.

Perayaan ulang tahun ke-70 Titiek akan disempurnakan oleh pergelaran musik bertajuk Karya Abadi Sang Legenda: 70 Tahun Titiek Puspa. Konser yang rencananya diselenggarakan pada 14 November 2007 itu diramaikan sekitar 20 artis papan atas Indonesia. Di antaranya, Ari Lasso, 3 DIVA, Melly Goeslaw, Vina Panduwinata, Gita Gutawa, Inul Daratista, dan Project Pop.

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kalok di yogyakarta tempat latian di mana bang...!!

By: aden

[2012-03-08 08:03:57]

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

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[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

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