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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Kompas Cyber Media arrow INDIKATOR - POTENSI KERAJINAN BAMBU DI JAWA BARAT (Kompas, 28 Juli 2007)

INDIKATOR - POTENSI KERAJINAN BAMBU DI JAWA BARAT (Kompas, 28 Juli 2007) Print E-mail
Written by Administrator AWI   
Saturday, 28 July 2007
ImageKerajinan bambu merupakan salah satu komoditas kerajinan unggulan di Provinsi Jawa Barat. Berdasarkan data Dinas Perindustrian dan Perdagangan Jabar tahun 2006, kerajinan ini diusahakan di sedikitnya 100 sentra yang tersebar di Kabupaten Tasikmalaya, Garut, Ciamis, dan Cianjur.
 
Sentra terbesar kerajinan bambu berada di Kabupaten Tasikmalaya. Di kabupaten ini terdapat 34 sentra dengan sedikitnya 1.567 unit usaha yang tersebar di Kecamatan Leuwisari, Salawu, dan Singaparna. Setiap tahun, produksi kerajinan bambu dari kabupaten ini mencapai 6,96 juta unit senilai Rp 26,94 miliar.

Potensi kerajinan bambu juga menonjol di Kabupaten Garut, yakni dengan 18 sentra. Dari 2.994 unit usaha kerajinan bambu di kabupaten ini, lebih dari separuhnya terdapat di Kecamatan Selaawi, terutama di Desa Purwajawa, Samida, dan Selaawi.

 Berkembangnya kerajinan bambu di dua kabupaten itu didukung oleh 27.200 tenga kerja dan ketersediaan bahan baku. Di Tasikmalaya, mislanya, luas hutan bambu mencapai 7.464 hektar dengan produksi sekitar 1,5 juta batang per tahun. Produksinya mampu memenuhi kebutuhan industri bambu yang mencapai 1,3 juta batang per tahun.
 
 Keterangan
 Tasikmalaya
Garut
 Sentra (sentra) 34 18
 Unit Usaha (unit) 1.567 2.994
 Tenaga Kerja (Orang) 15.736 11.469
 Investasi (miliar rupiah) 4,02 1,17
 Nilai Produksi (miliar rupiah) 26,94 59,02
 Kapasitas Produksi (buah) 6.960.710 8.161.932
 Kebutuhan bahan (batang/tahun) 1.227.946 

Dengan kondisi itu, usaha kerajinan bambu berpotensi dikembangkan, terutama untuk pasar ekspor. Saat ini, sekitar 80 prosen ini masih dipasarkan di dalam negeri. (NDW/LITBANG KOMPAS).

Sumber: Dinas Perindustrian dan Perdagangan Provinsi Jabar 2006
AGOENG

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