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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Others arrow KONSER ANGKLUNG (indonesianembassy.jp, 21 August 2007)

KONSER ANGKLUNG (indonesianembassy.jp, 21 August 2007) Print E-mail
Kontributor: Ifah Hanifah AWI   
Tuesday, 21 August 2007

DALAM RANGKA 40 TAHUN BERDIRINYA ASEAN

ImageTanggal 8 Agustus 2007 adalah tanggal bersejarah bagi terbentuknya perkumpulan masyarakat Asia Tenggara, yang kemudian dikenal menjadi Association of South East Asia Nation atau ASEAN

Terkait dengan hal itu, maka ASEAN Japan Center (AJC) bekerjasama dengan masing-masing Negara ASEAN mengadakan berbagai kegiatan, baik bersifat ilmiah (seminar) pada tanggal 6 Agustus 2007 yang juga mengundang tokoh ekonomi Indonesia, DR. Djisman Simandjuntak (CSIS) sebagai pembicara, kegiatan GALA Night berupa penampilan kesenian negara ASEAN secara terpadu, maupun pertunjukan kesenian masing-masing negara.

Terkait dengan hal tersebut pada tanggal 7 Agustus 2007, bertempat di Permanent Exhibition Hall AJC telah ditampilkan kesenian Indonesia berupa pertunjukan musik angklung yang dibawakan oleh tiga warga Jepang di bawah Pimpinan Ibu Niya Takae.

Sebagaimana kita maklumi bahwa sebagai langkah awal dalam promosi perdagangan dan investasi adalah pengenalan budaya dan pariwisata, sehingga Pertunjukan Kesenian Angklung tersebut diprakarsai oleh Direktur Urusan Perdagangan, ASEAN Japan Center, Mr. Takehide Teranishi, yang mengundang pula pejabat/staf KBRI Tokyo, yang diwakili antara lain oleh Kepala Bidang Perdagangan dan staf. Pada kesempatan tersebut Kepala Bidang Perdagangan menyampaikan sambutan terkait kesenian angklung dan sekaligus membuka acara konser angklung.

Sebagai warisan budaya bangsa, kesenian angklung ini cukup memiliki daya jual. Hal ini terlihat dari jumlah dan sambutan pengunjung terhadap penampilan kesenian tersebut. Pihak AJC telah mengantisipasi hal itu dengan memberi kesempatan penampilan dua kali dalam sehari, yaitu jam 13.30-14.30 dan 15.00-16.00. Jumlah pengunjung melebihi tempat duduk yang disediakan, masing-masing 60 kursi dan apresiasi diberikan dengan pemberian tepuk tangan berdiri (standing ovation).

Upaya AJC dan pertunjukan semacam ini perlu disemangati dan didorong terus, yang diharapkan dapat digunakan sebagai salah satu langkah awal dari rantai kerjasama perdagangan dan investasi, khususnya antara Indonesia dan Jepang.

 


 

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