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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Suara Merdeka CyberNews arrow ANGKLUNG DAN BATIK BAKAL JADI WARISAN DUNIA (Suara Merdeka, 6 Agustus 2007)

ANGKLUNG DAN BATIK BAKAL JADI WARISAN DUNIA (Suara Merdeka, 6 Agustus 2007) Print E-mail
Ditulis Oleh: Ifah Hanifah AWI   
Monday, 06 August 2007

ImageBandung, CyberNews. Setelah wayang kulit dan keris, Departemen Kebudayaan dan Pariwisata akan mendaftarkan angklung dan batik ke dalam daftar world heritage Unesco. Khusus angklung, pihaknya tengah mengumpulkan seluruh data penunjang termasuk dokumen dan bukti-bukti yang diperlukan agar bisa diakui dan masuk daftar itu.

Hal tersebut diungkapkan Sekjen Depbudpar, Sapta Nurwanda pada acara jumpres 50 Tahun Universitas Padjajaran di Bandung, Senin.

Dalam acara ultah universitas tersebut, akan dilakukan pemecahan rekor MURI berupa permainan angklung yang melibatkan 10 ribu orang pada tanggal 27 Agustus mendatang. "Keduanya merupakan warisan budaya. Khusus angklung, itu unik, karena bambu bisa mengalirkan nada, tak hanya invidual tapi bisa dimainkan secara kolektif. Karena kreativitas, angklung bisa dimainkan secara interaktif bersama-sama hanya dalam tempo sepuluh menit," tandasnya.

Menurut dia, langkah tersebut sangat penting dilakukan. Pasalnya, keberadaan kedua warisan budaya tersebut menunjukan pula sisi lain kehidupan. Keduanya tak hanya ada dalam kehidupan sehari-hari dengan cara dimainkan atau perlu dilestarikan, karena sudah menjadi sejarah bangsa.

Dengan cara itu pula, upaya-upaya pihak lain yang mencoba mengakui keduanya sebagai warisan budayanya bisa dicegah. "Jadi pengakuan ini penting seperti halnya wayang yang merupakan masterpiece dari warisan budaya Indonesia," katanya.

Untuk itu, pihaknya tengah menjalin kerjasama untuk menyukseskan langkah Depbudpar itu. Di antaranya berkerjasama dengan sejarahwan, khusus angklung, mereka merangkul masyarakat angklung Indonesia dan sejumlah saung angklung.

Pihaknya juga mengerahkan Dirjen Purbakala untuk memperkuat upaya tersebut. Dukungan diberikan pula oleh Menlu dan KADIN lewat diplomasi angklung. "Kita mulai dari sejarahnya plus bukti-buktinya sehingga, secara scientific memang bisa dipertanggungjawabkan,"katanya.

( dwi setiady/Cn07 )

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