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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Pikiran Rakyat Online arrow CACAT PUN BERMAIN ANGKLUNG (Pikiran_Rakyat, 27 Juni 2007)

CACAT PUN BERMAIN ANGKLUNG (Pikiran_Rakyat, 27 Juni 2007) Print E-mail
Ditulis Oleh: Yeni Ratnadewi   
Wednesday, 27 June 2007

CACAT atau tidak, bukan ukuran kemampuan seseorang. Ungkapan tersebut tidaklah berlebihan, sebab dalam diri seorang penyandang cacat, pasti ada potensi yang bisa dikembangkan. Tinggal bagaimana mengembangan potensi yang ada itu semaksimal mungkin.

Gambaran itu setidaknya terlihat dalam open house Sekolah Luar Biasa-D (SLB-D) Yayasan Pembinaan Anak Cacat (YPAC) Bandung, Selasa (26/6) di Kampus SLB-D, Jln. Mustang No. 46 Bandung. Pada kesempatan tersebut, para siswa tunadaksa yang memiliki cacat fisik atau bahkan cacat fisik disertai cacat mental dengan keterbatasan yang ada, mampu bermain angklung, berpuisi, dan bermain kabaret. Saat mereka bernyanyi, beberapa undangan menitikkan air mata karena haru.

Kemampuan para penyandang cacat juga tidak sebatas itu. Ketika para undangan diajak berkeliling melihat sarana dan fasilitas belajar, mereka bisa melihat beberapa siswa SMA yang sedang membuat kue kering atau hasil kerajinan seperti keset terbuat dari ayaman serpihan kain. Tentu, bukan hal mudah untuk memunculkan potensi seperti itu. Sebab, bagi mereka melakukan gerakan, berpindah tempat belajar, dan bicara pun sangat sulit. Pendidikan yang membuat mereka bisa seperti itu.

Menurut Ketua Pembina YPAC Bandung, dr. Kusnandi Rusmil, Sp.A.(K), anak merupakan harapan masa depan bangsa. Mereka mempunyai tanggung jawab besar untuk menjaga bangsa tetap eksis. Namun untuk mencapai hal tersebut tidak datang begitu saja, tetapi perlu dibantu. "Anak membutuhkan kasih sayang, pendidikan, dan pendidikan perawatan anak. Untuk memenuhi kebutuhan pendidikan bagi anak berkebutuhan khusus ini, diperlukan guru yang khusus pula. Keperluan guru khusus ini, kami dibantu pemerintah", katanya.

Hal senada diungkapkan Ketua YPAC Kota Bandung, Ir. Achmad Firmansam. Menurut dia, pendidikan sangat penting bagi mereka. Demikian pula, semakin tinggi pendidikan yang bisa dicapai, semakin banyak peluang yang akan diperoleh. "Banyaknya peluang, akan mengurangi sedikit permasalahan berkaitan dengan penyandang cacat", ujarnya. (Yeni Ratnadewi/PR)***

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