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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI Angklung Sale arrow AWI ANGKLUNG SALE : TYPES OF UNITS AND SCALING

AWI ANGKLUNG SALE : TYPES OF UNITS AND SCALING Print E-mail
Angklung is generally classified into the term set and unit. A set of angklung means a group of melodic angklung from the lowest tones up to the highest tones. A unit of angklung is a set of melodic angklung which can be merged with the other sets; a tone can possibly be doubled to strengthen the sound of the angklung team.



The common classification of unit as the merge of angklung sets is into the small unit, medium unit, and large unit. Here are the details:

Picture of an Angklung Set: Small Unit, Medium Unit, and Large Unit


Table 2-1: Bass Party Angklung Number of Angklungs in Types of Unit
Angklung Number
Note
Small
Unit
Medium Unit Large Unit
 G G 0              
1                
2            
 G#
 G# 0
 A
 A 012
 A#
 A# 012
 B B 012
 c c 112
 c# c# 112
 d d 112
 d# d# 112
 e e 112
 f f 112
 Total  611 22


Table 2-2: Melody Angklung Number of Angklungs in Types of Unit
Angklung Number
Note
Small
Unit
Medium Unit Large Unit
 0 f# 2          2  3       
 1 g 2 2 3
 2 g# 2 2 3
 3 a 2 2 3
 4 a# 2 2 3
 5 b 2 2 3
 6 c1 2 2 3
 7 c#1 2 2 3
 8 d1 2 2 3
 9 d#1 2 2 3
 10 e 2 2 3
 11 f1 2 2 3
 12 f#1 2 2 3
 13 g1 2 2 3
 14 g#1 2 2 3
 15 a 2 2 3
 16 a#1 2 2 3
 17 b 2 2 3
 18 c2 2 2 3
 19 c#2 2 2 3
 20 d2 2 2 3
 21 d#2 2 2 3
 22 e2 2 2 3
 23 f2 2 2 3
 24 f#2 2 2 3
 25 g2 2 2 3
 26 g#2 2 2 3 
 27 a2 2 2 3 
 28 a#2 0 2 3
 29 b2 0 2 3
 30 c3 0 2 3
 Total  56 62 93


Table 2-3: Accompaniment Angklung Number of Angklungs in Types of Unit
Angklung Chord Small Unit
Medium Unit  Large Unit
 C7 1 1 1 
 C Minor
 1  1 1
 C#7 0 1 1
 C#Minor 0 0  1
 D7 1 1 1
 DMinor 1 1 1
 D#7 0 1 1
 D#Minor 0 0  1
 E7 1 1 1 
 E Minor 1 1 1
 F7 1 1 1
 F Minor 1 1  1
 F#7 0 1 1 
 F# Minor
 0 0  1
 G7
 1 1 1
 G Minor
 1 1 1
 G#7 0 1 1 
 G# Minor
 0 0  1
 A7 1 1 1 
 A Minor
 1 1 1
 A#7 0 1 1 
 A# Minor
 0 0  1
 B7 1 1 1 
 B Minor
 1 1 1
 Total 14 1924 


Table 2-4: Co-Accompaniment Angklung Number of Angklung in Types of Unit
Angklung Chord Small Unit
Medium UnitLarge Unit
 C7 1 1 
 C Minor
 1 1 1
 C#7 0 1 1
 C# Minor
 0 0 1
 D7 1 1 1
 D Minor
 1 1 1
 D#7 0 1 1
 D# Minor
 0 0 1
 E7 1 1 1
 E Minor 1 1 1
 F7 1 1 1
 F Minor
 1 1 1
 F#7 0 1 1
 F# Minor
 0 0 1
 G7 1 1 1
 G Minor
 1 1 1
 G#7 0 1 1
 G# Minor
 0 0 1
 A7 1 1 1
 A Minor
 1 1 1
 A#7 0 1 1
 A# Minor
 0 0 1
 B7 1 1 1
 B Minor
 1 1 1
Total
 1419  24


How to Build An Angklung Orchestra?

Please use Hidayat's Angklung Distribution Table for easier angklung distribution to players.

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