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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Republika Online arrow PERMAISURI FAUZIAH EMPAT JAM NON STOP DANSA DI BALLROOM HOTEL SHERATON (Republika, 23 Januari 2006)

PERMAISURI FAUZIAH EMPAT JAM NON STOP DANSA DI BALLROOM HOTEL SHERATON (Republika, 23 Januari 2006) Print E-mail
Ditulis Oleh: Budi Supardiman   
Monday, 23 January 2006
Bandung-RoL-- Seri Paduka Baginda Raja Permaisuri Agong Tuanku Fauziah Binti Abdul Rashid tidak henti-hentinya bergerak dengan sangat gemulai dengan melakukan slow dance bersama Raja Malaysia Tuanku Syed Sirajuddin dengan diiringi lagu "Arround The World" yang diikuti para menteri yang menghadiri acara perpisahan di Ballroom Hotel Sheraton, Senin dinihari.

Sejak Permaisuri memasuki ruang Ballroom sekitar pukul 23.45 wanita berbaju biru tersebut terlihat sudah sangat menikmati tembang-tembang lawas yang dilantunkan penyanyi cantik asal Kota kembang Marina Elsera.

Padahal seharian itu, Permaisuri sudah melakukan berbagai kegiatan padat di Kota Bandung tetapi tidak tampak wajah lelah di wajahnya.

Malam itu, Kedutaan Malaysia mengadakan acara perpisahan bagi kedua tamu kehormatan serta rombongan dengan menyajikan hiburan musik dari seniman Kota Bandung.

Suguhan musik dengan diiringi alunan keyboard dari Dela, Saxophone oleh Azis, Perkusi oleh Heru dan penyanyi Marina Elsera.

Menteri Sosial Bachtiar Chamsyah dan istri yang hadir pada malam itu didaulat menyanyi oleh Permaisuri sehingga meluncurlah lagu "Andaikan Kau Kembali" di hadapan Raja dan Permaisuri serta para tamu undangan lainnya.

Raja yang tampak kelelahan setelah sejak pagi hingga sore hari melakukan pertandingan golf persahabatan di Jatinangor Sumedang, seusai berdansa langsung duduk di kursi dan hanya menikmati Permaisuri melantunkan beberapa tembang.

Permaisuri dengan lancar melantunkan beberapa lagu seperti lagu Quando-quando, La Paloma, Aryati dan beberapa lagu berirama rock n roll.

Suaranya yang lantang membuat beberapa orang tamu dari Indonesia sangat terkesan atas keindahan suaranya. Setelah menyanyi, Permaisuri tidak henti-hentinya berjoged Salsa, Waltz dengan diiringi berbagai macam irama seperti Dangdut, Rhumba, Zapin (melayu).

Seluruh tamu juga disuguhi sajian angklung pimpinan Saung Udjo yang melantunkan lagu "Ada Apa Denganmu" dan sebuah lagu lainnya.

Grup angklung yang sebelumnya telah dipentaskan di hadapan kedua tamu agung ini sengaja diminta kembali oleh Permaisuri untuk dihadirkan pada malam itu.

Setelah hampir empat jam berdansa dan menyanyi, pukul 04.00 Permaisuri membagikan cinderamata kepada seluruh tamu undangan yang hadir pada pagi itu. Tidak terkecuali para waiter dan waitress Hotel Sheraton turut juga kebagian cinderamata. Cinderamata berupa angpaw dan dasi transparan dibagikan oleh Permaisuri dan beberapa stafnya.

Lantunan tembang "Kapan-kapan" dan "Gelang si Paku Gelang" mengiringi pembagian cinderamata tersebut sekaligus menutup acara malam perpisahan tersebut."Terima kasih. Kapan berkunjung ke Kuala Lumpur?"ujar Permaisuri kepada para pemusik yang telah mengiringi bernyanyi.

Seusai acara salah seorang rombongan dari Malaysia yang enggan disebutkan namanya mengatakan Permaisuri sangat suka shopping dan menyanyi.

"Biasanya Permaisuri bisa bernyanyi sebanyak 14 lagu tetapi kali ini hanya empat lagu yang dinyanyikan. Mungkin Permaisuri kelelahan", ungkapnya.

Hadir pada malam itu Wakil Gubernur Jawa Barat Nu`man Abdul Hakim yang didampingi oleh Asda III Perekonomian Ir Leks Laksamana dan beberapa pejabat Pemprov Jawa Barat.

Sayangnya pada malam itu Nu`man tidak sempat membawakan sebuah lagu yang sebelumnya sudah disiapkan yaitu lagu "Cinta Hampa", tetapi malam itu Nu`man mendapat penghargaan sebagai pemakai baju batik terbaik ala Permaisuri.

Pagi itu Permaisuri dan Raja Malaysia langsung menuju ke kamar hotelnya untuk beristirahat. Senin pagi Raja dan Permaisuri bersama rombongannya langsung melanjutkan perjalanan pulang ke Kuala Lumpur. antara/pur

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Latest Comments

Terima kasih

Kayanya seru juga kalau dicoba. Terima kasih :)

By: Susi

[2010-05-01 07:45:05]

terima kasih

senangnya bisa banyak tau ttg angklung.

By: Aini

[2010-04-15 00:25:50]

cari partitur sebelah mana

sebenernya saya gy pengen partitur biar nambah koleksi...

By: febri1

[2009-09-13 01:05:01]

thanx... perbanyak informasinya yah...?

:)

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