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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI Course Material arrow Angklung Training – Team Preparation arrow STRATEGI PERENCANAAN LATIHAN ANGKLUNG

STRATEGI PERENCANAAN LATIHAN ANGKLUNG Print E-mail
Written by BUDI SUPARDIMAN AWI   
Thursday, 21 October 2004
Pengantar

Perencanaan latihan perlu untuk keadaan bilamana sumber daya terbatas seperti: pemain terbatas atau sedikit, waktu mendesak, alat terbatas sehingga harus shift, mengantisipasi sulitnya kondisi saat tampil seperti faktor ruangan (sebagai contoh luasnya Gelora Saparua sehingga memerlukan penanganan formasi dan pengaturan sound yang memadai, jika misalnya jumlah pemain sedikit).


1. Perencanaan Latihan Jangka Panjang (misal: Festival)


Persiapan yang cermat dan matang diperlukan untuk mempersiapkan tim festival. Lagu dan aransemen, komposisi pemain dan rencana flow kesiapan pemain baik secara teknik maupun mental sangat perlu.


2. Perencanaan Latihan Jangka Pendek

Jumlah latihan minimal sebagai persiapan penampilan adalah 5 kali untuk setiap lagu, dengan tahapan :

Latihan ke-1 : Membaca
Latihan ke-2 : Penguasaan
Latihan ke-3 : Lepas / Baca sendiri
Latihan ke-4 : Menghafal
Latihan ke-5 : Pemantapan


3. Perencanaan Latihan Eventual (Perencanaan Latihan untuk Event Khusus)


4. Persiapan Lagu Mendadak

Untuk menghadapi permintaan mendadak, harus siap lagu persediaan. Lagu persediaan ini dapat dilatihkan pada waktu senggang (latihan tanpa penampilan), atau dilatihkan secara singkat di sela-sela latihan lagu lainnya (misalnya pergantian lagu). Biasanya lagu persediaan ini dapat berupa lagu yang mudah dihafalkan dengan tetap menarik untuk disajikan, atau lagu dengan teknik tinggi yang telah lama dilatih, yang sewaktu-waktu dilatihkan sebagai selingan latihan untuk tetap menyegarkan dalam ingatan pemain.


5. Time Frame (Kerangka Waktu), Scheduling


Perencanaan Latihan

Perencanaan lagu latihan dapat dilakukan bervariasi dengan tabel perencanaan latihan. Lagu yang diprioritaskan serta target dapat dibuat berbeda-beda setiap latihan, karena pada satu kali latihan maksimum adalah hanya satu sampai dua lagu utama yang dapat dilatih secara serius, sedangkan lagu lainnya hanya bersifat mengulang (dengan catatan jika perbaikan untuk lagu utama adalah berat).

Contoh tabel :



Frekuensi Latihan Ideal


Untuk konsistensi dan peningkatan yang teratur dari kemampuan pemain, latihan angklung idealnya dapat dilakukan secara rutin 2 kali seminggu masing-masing 2 jam.


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