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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI Course Material arrow Music - Angklung Arrangement arrow ARANSEMEN ANGKLUNG - TIPS

ARANSEMEN ANGKLUNG - TIPS Print E-mail
Written by BUDI SUPARDIMAN AWI   
Tuesday, 12 October 2004
Ada 2 (dua) hal penting yang harus diperhatikan dalam mengaransemen sebuah lagu angklung, yaitu:

1. Tahapan aransemen
2. Makanan pokok untuk arranger


Berikut ini penjelasan rincinya:

1. Mencari lagu (lagu yg sesuai angklung yg bagaimana ya?)

  • riang, energik (diwakili pola ritmik)
  • tempo cepat lebih baik
  • melodi cenderung tidak monoton (mis lagu rap)


2. Menentukan not lagu (gimana caranya ya?)

  • Cari kaset / lagu asli (bisa download MP3 ya)
  • Cari partitur lagu, tinggal jiplak
  • Cari file MID di internet --> masukkan cakewalk --> not keluar, tinggal jiplak.


Tahapan aransemen:


1. Menentukan akor lagu Cari kaset / lagu asli (bisa download MP3 ya)

  • Cari partitur lagu, tinggal jiplak
  • Cari file MID di internet --> masukkan cakewalk --> not keluar, tinggal jiplak.


2. Cari ornamen: lihat ornamen di MP3 (dengarkan), lihat partitur, atau lihat di file MIDI


3. Memasangkan not dengan akor & ornamen

  • lihat apa yg dicontohkan pada lagu: kapan pelan, keras, banyak suara, sedikit suara.
  • suara ke-1 angklung biasanya antara no 3 sampai 22 (rule of thumb)
  • interpretasi: secara kreatif dapat menentukan kapan keras pelan dll dengan memasangkan nada yang sesuai


Makanan pokok untuk arranger:

1. Ilmu mendengar lagu (bisa diwakili oleh MIDI & partitur --> tinggal jiplak).

2. Ilmu harmoni

  • nada duet
  • contrapunct
  • akor & akor balikan
  • akor penuh & akor setengah penuh

3. Kreativitas

  • tdk harus selalu sama dengan nada asli, kadang-kadang malah kaku.

Comments
download mp3 saung udjo
Written by marsnaruto on 2008-03-18 22:19:41
bagaimana saya bisa download lagu-lagu angklung saung udjo yang sudah berbentuk mp3
meng-aransemen bukan berarti menjiplak k
Written by patrick on 2008-03-12 20:09:57
menurut saya, tips ini menjadikan seseorang menjadi plagiator. apabila file MIDI diproses dengan cakewalk, itu namanya bukan mengaransemen tetapi mentranslate not balok ke not angka (kita hanya memindahkan not balok ke not angka). saya kurang setuju dengan kata-kata 'tinggal jiplak', sama saja dengan pembajakan (menjiplak). lebih baik redaksi dirubah, karena apabila memberikan tips yang salah orang-orang pengguna tips akan mengikuti cara yang salah juga. perlu diingat pula, seorang arranger bukan seorang penjiplak
tararenkyou euy !!!!!!!!!!
Written by rosidin_sundanese on 2008-02-23 23:59:05

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Nuhun Informasina:)

Sblum'y sy ucapkn...

By: inc_ill Nino

[2008-08-27 21:09:28]

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By: ifah

[2008-08-22 10:59:41]

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wah Gede...

By: ifah

[2008-08-22 10:58:28]

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