AWI: Angklung Web Institute - TEKNIK-TEKNIK MEMBACA LAGU DALAM LATIHAN ANGKLUNG


AWI: Angklung Web Institute center of knowledge and competence of angklung

<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you. <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you. <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you. <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you. <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you. <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.

Saturday, 04 September 2010

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Music - Analyses

TEKNIK-TEKNIK MEMBACA LAGU DALAM LATIHAN ANGKLUNG

TEKNIK-TEKNIK MEMBACA LAGU DALAM LATIHAN ANGKLUNG

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Written by YUSRANI SALMAN AWI

Thursday, 21 October 2004

Pentingnya penguasaan lagu bagi pelatih

Latihan yang efisien
Latihan yang efektif
Wibawa pelatih

Pentingnya penguasaan lagu bagi pemain

Mempermudah menghapal lagu
Mengasah musical skill

Aspek Musikalitas Dalam Membaca Lagu

Ketukan
Menyanyi
Menghayati
Kontak batin pelatih pemain

Ketukan

Menghayati Lagu

Syair
Tempo
Sejarah lagu
Komunikasi dengan pencipta atau pengaransemen lagu

Notasi dalam partitur untuk angklung

Not Balok
Not angka

Aspek-aspek lagu yang harus dikuasai pelatih

Tempo
Dinamika
Ketukan

Mengenal Akor dan harmoni dalam lagu

Akor
Harmoni

1. Dasar-dasar teori musik dan symbol-simbol

2. Staff (notasi balok) ≈ suara n (‘picth’) (notasi angka)

3. Nada dasar (do=c, do=g, ..)

4. Note Values

notasi balok; not penuh, not setengah, not seperempat dst
notasi angka; (diwakili oleh 1 titik per ketuk)

5. Bar, Garis bar, double bar

Time signature (4/4, 2/4, ¾ dst..)

6. Tanda Berhenti

notasi balok; (whole, half, dan quarter rest)
notasi angka; (diwakili oleh 1 angka 0 per ketuk)

7. Tanda ulang

Tanda dua titik sebelum double bar
Dua titik antara dua double bar
First and second ending

8. Tanda Dinamika

pp, p , mp , mf , f , ff (very soft-very loud)
Cressendo (meninggi/ gradually laouder)
Decressendo (merendah/ gradually softer)

9. Tempo (grade of speed)

largo, adagio, andante, moderato, allegro, vivace (very slow-very fast)
Ritardando (gradually slower)
Accelerato (gradually faster)

10. Artikulasi

Staccato ≈ cetok angklung
Aksen (accent) ≈ suara meninggi dengan tekanan
Sforzando ≈ sudden, strong accent
Tenuto ≈ hold for full value
Fermata ≈ hold longer than normal value

11. D.C, D.S., Coda, Fine

D.C. Da Capo; ulang dari awal
D.S. Dal Segno; ulang dari tanda
Coda; an added ending
Fine; the end
Kombinasi
D.C. al fine
D.S. al fine
D.C. al coda
D.S. al coda

12. Enharmonic

Sharp (#), nada dicoret dari kiri bawah ke kanan atas
Flat ( ), nada dicoret dari kanan bawah ke kiri atas

Comments

terima kasih
Written by Aini on 2010-04-15 00:25:50

senangnya bisa banyak tau ttg angklung.

bisa
Written by aryaabbyasa on 2008-10-29 19:25:18

bisa cek aja youtube, search angklung, ntar liat yang mainin lagi umbrella-nya rihanna..

mo nanya
Written by ardiandhie2004 on 2008-03-10 03:57:31

apa permainan angklung ini bisa dimainkan oleh 1 orang saja????

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Latest Comments
Terima kasih Kayanya seru juga kalau dicoba. Terima kasih By: Susi [2010-05-01 07:45:05] terima kasih senangnya bisa banyak tau ttg angklung. By: Aini [2010-04-15 00:25:50] cari partitur sebelah mana sebenernya saya gy pengen partitur biar nambah koleksi... By: febri1 [2009-09-13 01:05:01] thanx... perbanyak informasinya yah...? By: