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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI News &amp; Event arrow Sinar Harapan Daily arrow SANGGAR MUSIK ANGKLUNG MANG UDJO TETAP LESTARI DI TENGAH GELOMBANG KRISIS (Sinar Harapan,17-4-2002)

SANGGAR MUSIK ANGKLUNG MANG UDJO TETAP LESTARI DI TENGAH GELOMBANG KRISIS (Sinar Harapan,17-4-2002) Print E-mail
Contributed by Ifah Hanifah AWI   
Wednesday, 17 April 2002
BANDUNG—Harapan lestarinya musik angklung di tatar Sunda pada umumnya dan Bandung pada khususnya bisa jadi hanya bertumpu kepada Sanggar Musik Angklung Mang Udjo yang terletak persis di Jln Padasuka 118 Bandung.

Sang pencetus dan pembuat sanggar yakni Mang Udjo Ngalagena sendiri sudah wafat pada Mei 2001 lalu. Untuk melestarikan cita-cita sang maestro angklung Bandung ini, maka sanggar ini dipimpin langsung oleh Kang Taufik Hidayat, yakni putra pertama Mang Udjo.

Dalam percakapan dengan SH di sanggarnya. Taufik membeberkan secara panjang lebar soal sanggarnya yang kian hari kian berkibar dan melekat tidak saja dikalangan wisatawan domestik namun juga wisatawan luar negeri.

”Tidak nyombong, Mas, kendati krisis melanda Indonesia sejak 1997, saya bersyukur sanggar ini tetap hidup. Hanya saja, kalau sebelum krisis paling banyak wisatawan luar negeri (asing), sejak krisis dan situasi keamanan tidak jelas kunjungan wisatawan asing agak berkurang. Gambarannya saja, sebelum krisis bisa sampai ratusan wisman, sekarang paling banter hanya 50 orang/hari. Sementara wisatawan dalam negeri bisa mencapai 150–200 orang per hari,” tutur Taufik.

Di sangar Mang Udjo ini memang tidak hanya sebatas melihat bagaimana kepiawaian para pemusik angklung cilik-cilik memainkan angklung, melainkan juga cara membuat alat angklung ini dari awal sampai bisa memainkannya. Justru, di alam yang serba bambu dan penuh suasana kekeluargaan inilah yang membuat sanggar Mang Udjo ini tetap hidup.

Misalkan, begitu pengunjung datang, langsung disambut dengan alunan musik angklung berbagai irama. Hanya dengan kocek Rp 35.000/orang (bagi wisatawan luar negeri) dan Rp 5.000–Rp 10.000 (bagi wisatawan dalam negeri), pengunjung bisa menikmati semua fasilitas yang ada. Seperti memainkan musik anglung secara bersama-sama dipandu oleh pemusik angklung yang masih bocah-bocah yang dikoordinir oleh Kang Taufik.

Sanggar ini dibuka mulai pukul 16.00 setiap harinya. Siapa pun bisa menikmati asal membeli tiket yang disediakan Kang Taufik dan krunya. Berdiri sejak tahun 1964, Sanggar Mang Udjo awalnya hanya mempekerjakan sekitar 10 orang pembuat angklung. Kini, sekitar 50 orang pekerja ditampung di sana. Sementara produk yang dihasilkan mencapai sekitar 100 set angklung ukuran besar, sedang, mini dan besar dan set arumba.

Harga jual per satu set, kata Taufik, bervariasi untuk ukuran besar bisa sampai Rp1 – 2 juta, tapi untuk jenis arumba bisa Rp500 ribu–1 juta, dengan bahan baku berupa bambu hitam yang setiap bulannya bisa 10 truk bambu atau 2000 batang.

Produk sanggar seni Mang Udjo ini ternyata sudah menembus pasar luar negeri, seperti ke Australia (satu kontainer pada tahun 1992), ke Jerman, dan seluruh kedutaan RI di luar negeripun sudah ada seperengkat musik angklung ini.

Di bawah atap yang dikelilingi bangunan serba bambu inilah setiap sore, bocah-bocah kecil setelah pulang sekolah direkrut oleh Kang Taufik untuk main angklung dan jenis-jenis kesenian lain khas Sunda.

Suasana kebersamaan membuat semua pengunjung bergeleng-geleng kepala sembari tersenyum ceria. Pokoknya, kesan mendalam itu pasti ada ketika Anda menginjakkan kaki di sanggar Mang Udjo ini. Tentu ingin singgah kembali kemari. Maka tak salah bisa angklung dijadikan simbol kebersamaan masyarakat Sunda. (SH/antonius sp)



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