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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
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AWI Home arrow AWI Course Material arrow Latihan Angklung - Cara Berlatih Angklung arrow MENYELENGGARAKAN LATIHAN ANGKLUNG

MENYELENGGARAKAN LATIHAN ANGKLUNG 印刷 E-mail
投稿者 BUDI SUPARDIMAN AWI   
2004年 October 14日 Thursday
Pengantar

Image Latihan adalah kegiatan inti dari suatu paduan angklung. Dapat dikatakan bahwa ‘nyawa’ suatu tim angklung adalah latihannya, karena kualitas permainan suatu paduan angklung akan sangat bergantung pada bagaimana kualitas latihannya.

Latihan sebagai sarana pertemuan rutin antara para pendukung tim angklung (pelatih, pemain, manager latihan) juga dapat mempunyai fungsi yang lain daripada sekedar peningkatan materi permainan. Pembinaan kekompakan dan kebersamaan, transfer ilmu, atau bahkan sebagai sarana ‘refreshing’ dapat dilakukan di dalam suatu latihan, bergantung kepada tujuan serta sasaran yang ingin dicapai dalam suatu latihan yang ternyata dapat sangat beragam.


Tujuan & Sasaran Latihan

Setiap kegiatan hendaknya mempunyai sasaran dan tujuan, agar semua hal yang dilakukan ditujukan untuk mencapai sasaran tersebut. Selain itu sasaran dapat dijadikan tolok ukur apakah sudah dicapai dalam latihan atau belum.

Sebelum memulai latihan pun  sebaiknya ditentukan terlebih dahulu sasarannya, apakah misalnya untuk pengenalan lagu, peningkatan kecermatan penguasaan lagu, peningkatan teknik bermain angklung, penghayatan lagu. Metoda dan teknik latihan akan sangat bergantung kepada sasaran latihan.

Perencanaan bergantung sasaran. Latihan dapat untuk :

  • persiapan tampil
  • rekreasi, senang-senang
  • coba lagu : eksperimen

Dari segi tujuan penguasaan lagu, hendaknya sebelum memulai latihan sebaiknya ditentukan terlebih dahulu sasaran dari latihan tersebut, apakah latihan kita bertujuan untuk :

  • Pengenalan Lagu
  • Peningkatan Kecermatan Penguasaan Lagu
  • Peningkatan Teknik Bermain Angklung
  • Penghayatan Lagu

Metoda dan teknik latihan akan sangat bergantung kepada sasaran latihan.

Sasaran Latihan Angklung dalam Sebuah Tim Angklung (contoh):

Sebagai contoh pada sebuah tim angklung, dalam suatu latihan angklung biasanya ingin dicapai tujuan-tujuan yang antara lain sebagai berikut:

  • Skill & teknik permainan dikembangkan: pemanasan
  • Ada kesempatan mencoba aransemen
  • Ada kesempatan melatih bagi pelatih baru untuk menambah jam terbangnya.
  • Ada keinginan jumlah lagu yang dikuasai dalam jangka panjang (misal 10 lagu).
  • Siap jika tampil mendadak: punya lagu persediaan.
  • Lagunya disesuaikan dengan yang akan ditampilkan.
  • Lagu-lagunya trendy.
  • Ada teori angklung, cerita dan hal tentang Tim Angklung mereka, dll.
  • Latihan dapat menjadi sarana hiburan yang fresh bagi anggota.
  • Agar yang datang latihan bisa banyak.
  • Disiplin.
  • Nyawa/Intinya suatu tim angklung  adalah latihan.
  • Kaderisasi tetap berjalan, tanpa  menurunkan mutu latihan.
  • Sedapat mungkin latihan dengan konduktor (dirigen).

Untuk itu harus dilakukan trade-off untuk menyeimbangkan tercapainya tujuan-tujuan di atas.

Kenyataannya, bila jumlah anggota dan jumlah latihan terbatas, maka beban latihan akan menjadi lebih berat.


Visi Pemain

Pemain harus punya visi dalam latihan agar dapat dicapai bersama antara pemain dan pelatih. Visi dapat disesuaikan dengan sasaran latihan.

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Latest Comments

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kalok di yogyakarta tempat latian di mana bang...!!

By: aden

[2012-03-08 08:03:57]

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Pak, punten nanya kalau partitur Spirit of Youth disini ada...

By: fahiragea

[2011-10-15 05:02:57]

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Silahkan download Tabel Hidayat dengan cara sebagai...

By: budis

[2011-10-11 14:57:47]

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pak tabel pembagian angklung menggunakan Tabel Hidayat...

By: sadamdgreat

[2011-10-08 18:49:17]

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