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<<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          <<< Welcome to Angklung Web Institute (AWI)! This website is a medium of information exchange about angklung knowledge and competence, especially diatonic angklung in orchestral composition. The Father of Angklung Daeng Sutigna first created the diatonic angklung in 1938. Until now, angklung still has to face many challenges of identity to be acknowledged as one of world’s standard music instruments. One major problem is that there is no firm standard yet in constructing, tuning, forming, playing, and compositing angklung. Another problem is that until today, an angklung music community as a media of education and industrialization of the angklung music hasn’t been founded yet. Through this website we would like to ask you who have a great concern to the development of angklung to pass this piece of information to the world in order to support this developing music instrument. Through this website we would like to convey an angklung-ical activity to an angklung team or community and hopefully someday the industrialization of angklung can be realized. Last, it is our duty to raise our angklung to be appreciated just like the other world’s standard music instruments. Thank you.          
Friday, 22 July 2011 Mail to AWI: service@angklung-web-institute.com
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ANGKLUNG INDONESIA PDF Print E-mail
Friday, 15 January 2010

http://www.budaya-indonesia.org/iaci/Angklung_Indonesia

Angklung

ImageWADITRA terbuat dari ruas-ruas bambu. Cara memainkannya digoyangkan oleh tangan. Terdapat di seluruh daerah di Jawa Barat. Di Banten angklung dimainkan dalam upacara ngaseuk (menanam benih padi di ladang). ANGKLUNG GRUBAG Di Cipining, Bogor sebagai penghormatan terhadap Dewi Sri. ANGKLUNG BUNGKO di Desa Bungko, Cirebon, dimainkan dalam upacara nadran dan sedekah bumi. ANGKLUNG BUNCIS atau angklung badud di Ujungberung, Bandung, dimainkan untuk memeriahkan acara arak-arakan khitanan. Angklung jinjing dan angklung degung sebagai hiburan. Angklung tradisional laras SALENDRO seperti di Banten terdiri atas 4 buah rumpung (ancak), masing-masing bernama: king-king (yang terkecil), inclo (angklung kedua), panempas (angklung ketiga), dan angklung terbesar disebut gonggong. Lagu-lagu yang dimainkan, a.l.: “Ayun-ayunan”, “Bibi lenjang”, “Cik arileu”, “Hiah-hiah panjang”, “Jari gandang”, “keupat reundang”, Lili liyang”, “Nganteh”, “Ngasuh”, Oray-orayan”, “Pileu-leuyan”, “Pongpok”, “Salaela”, dan “Yandi bibi”. Di Kanekes tanpa vocal, di Panamping diperbolehkan mempergunakan lirik lagu berupa SUSUALAN. Di Tasikmalaya ada yang disebut angklung séréd, semacam perlombaan angklung antara dua kelompok anak-anak. Di daerah Banten ada yang di sebut ngadu angklung. Selain sebagai hiburan, waditra tersebut biasa dipergunakan oleh orang yang minta-minta sebagai sarana pencari nafkah. Bersumber dari orang inilah, UJO NGALAGENA mengembangkan angklungnya hingga mendirikan Saung Angklung yang merupakan salah satu obyek pariwisata di Bandung. Ia mengembangkan angklung yang berlaras SALENDRO, PELOG, dan MADENDA, berbeda dengan ANGKLUNG PADAENG yang diatonis. Angklung dipergunakan dalam pertunjukan ogel. Dalam perkembangan selanjutnya, angklung sering dimainkan secara massal (biasanya oleh anak-anak sekolah) dalam rangka menyambut tamu negara, memeriahkan hari-hari nasional, dsb., tapi yang diatonis.

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AWI Angklung Concert "The Glorious Heritage" PDF Print E-mail
Thursday, 10 March 2011

AWI Angklung Concert "The Glorious Heritage"


ImageImageSaturday, March 12th 2011

19.30 - 21.30

New Majestic
Jl. Braga No. 1, Bandung

Special Performers: Andhika Surya IMB 2, Nawawi Ansamble


Presents:
Looking Through The Eyes of Love from Melissa Manchester
Over the Rainbow from Judy Garland
Hear, There, and Everywhere from The Beatles
I Would Do Anything for Love from Meat Loaf
Santorini from Yanni
I Just Called to Say I Love You from Stevie Wonder

and many more ...

Ticket:
General (30000 IDR)
VIP (50000 IDR)
VVIP (100000 IDR)

Ticket Box:
AWI Office at Braga City Walk 2nd Floor (in front of 21 Cinema)
Jl. Braga No. 99 Bandung

Contact Person:
Intan (+6285721336711)
Fitryasari (+622292758500)
e-mail:

MUSIC ANGKLUNG PLAYED BY SD PASKALIS STUDENT (Jakarta Centre, April, 10 2009) PDF Print E-mail
Friday, 10 April 2009

ImageSD Paskalis Jakarta Pusat play the tradional music Indonesia call Angklung, SD Paskalis try to resisted Indonesian tradional music, was claimed by other country.

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PAGELARAN ANGKLUNG CHERRY BLOSSOM DI WASHINGTON DC (The Voice of Indonesia, 2 April 2009) PDF Print E-mail
Thursday, 02 April 2009

ImageJakarta ( VOI - News ) - Upaya mempromosikan kebudayaan Indonesia ke dunia internasional bukan hanya tugas pemerintah semata, namun juga tanggung jawab semua elemen bangsa. Untuk itu, partisipasi masyarakat sangat diharapkan dalam mensukseskan program pemerintah khususnya dalam memperkenalkan kekayaan budaya yang dimiliki Indonesia.

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DIPLOMASI ANGKLUNG OLEH MURID-MURID SRIT (Indonesian Embassy, 18 Maret 2009) PDF Print E-mail
Wednesday, 18 March 2009

ImagePada tanggal 17 Maret 2009, KBRI Tokyo bersama dengan Sekolah Republik Indonesia Tokyo (SRIT) melakukan kunjungan persahabatan ke sekolah dasar “Kagomachi”, Tokyo.

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LATIHAN ANGKLUNG GRATIS DI MALL: TEMEN AWI ANGKLUNG & INSPRERTO ARUMBA ORCHESTRA, FUN & ASSISSTANCE PDF Print E-mail
Sunday, 17 August 2008
ImageAngklung Web Institute (AWI) saat ini telah membentuk media sharing musik angklung melalui program latihan yang saat ini telah berjalan secara rutin setiap hari Rabu dan Sabtu jam 15.00-17.00 untuk latihan tim angklung pro (Temen AWI Angklung Orchestra Pro) serta tiap Minggu jam 14.00-15.00 untuk tim pemula (Temen AWI Fun). Sedangkan latihan tim arumba INSPERTO AWI Arumba Orchestra setiap Rabu dan Sabtu 17.00-19.00.

Tempat latihan di Lantai 2 Braga City Walk (BCW) Jl. Braga Bandung, melalui kerjasama antara Angklung Web Institute (AWI) dengan Management Braga City Walk Bandung. Tujuan dari pembentukan program ini adalah sebagai media sharing pengetahuan musik angklung di antara sesama peserta, penyaluran hobby di waktu senggang serta pengembangan kemampuan pribadi maupun tim melalui rencana pementasan dalam waktu dekat baik di dalam maupun di luar negeri.
 
ImageSehubungan dengan hal tersebut AWI mengundang individu yang masih ingin berpartisipasi / bergabung dalam latihan tim angklung / arumba ini untuk langsung hadir pada waktu kegiatan latihan (tidak dipungut biaya dan tidak mengikat), dan bagi yang berminat dan/atau memerlukan info lebih lanjut dipersilahkan mengirimkan email kepada .

Selanjutnya apabila memerlukan jasa pelatih, lagu angklung, sarana latihan angklung secara gratis serta asistensi tim angklung, AWI menyediakan sarana, pelatih serta jasa asistensi (Temen AWI Assisstance) untuk latihan secara gratis di Braga City Walk (Berjangka waktu), dan untuk informasi detailnya dapat melalui email atau menghubungi AWI OFFICE Braga City Walk (BCW) Jl. Braga No 99 Lantai II (depan bioskop 21) setiap hari kerja, telepon 022 8446 0062 (juga untuk fax) atau 022 9275 8500 (juga untuk SMS).
FESTIVAL ANGKLUNG BIANGLALA 2009 (Pikiran Rakyat, 9 April 2009) PDF Print E-mail
Thursday, 09 April 2009

ImageYayasan Bianglala akan menggelar "Festival Angklung Bianglala Ke-4" antarsiswa SD dan SMP se-Jawa Barat, 4 Juni 2009. Festival bertempat di Teater Tertutup Taman Budaya Jabar (Dago Tea House) Kota Bandung. Informasi dan pendaftaran dapat menghubungi telf. 022-2002031/2 (Eva/Heni).***

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ANGKLUNG DALAM KEINDONESIAAN KITA (iwan.pirous.com, 10 April 2009) PDF Print E-mail
Sunday, 17 May 2009

Oleh : Iwan Pirous

ImageSentimen kebangsaan selalu membutuhkan serentetan ikon budaya kongkret. Banyak orang Indonesia yang khawatir bahkan bersikap reaktif terhadap tangkasnya negara tetangga kita Malaysia yang mengakui angklung, batik, reog sebagai kesenian nasional mereka. Kekhawatiran ini mengarah pada harapan bahwa negara harus kongkret melindungi kesenian khas bangsa Indonesia untuk kepentingan identitas nasional. Intinya, jika ingin mengangkat properti budaya yang khas menjadi identitas yang representatif bagi bangsa, maka syarat utamanya adalah properti tersebut harus terlibat dalam kesejarahan bangsa untuk memenuhi visi otoritas ke masa lalu, sekaligus juga populer dalam imajinasi kolektif pada waktu sekarang untuk visi masa depan. Bangsa-bangsa modern yang tangguh setia mempertahankan prinsip ini untuk lestari. Angklung adalah elemen budaya yang terlibat dalam dua gaya tarik tradisional-modern sehingga menarik diisyukan sebagai ikon bangsa yang potensial dan kongkret.

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PENAMPILAN MUSIK ANGKLUNG MEMUKAU MASYARAKAT INGGRIS (Media Indonesia, 17 April 2009) PDF Print E-mail
Friday, 17 April 2009

ImageLONDON--MI: Penampilan musik angklung interaktif yang dipandu Ika Widianingsih dari Saung angklung Mang Ujo mendapat sambutan meriah dari undangan acara "Indonesia Gala Dinner" di gedung Great Hall, Central Hall Westminster, London, Kamis malam.

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OPTIMALISASI PENDIDIKAN LEWAT ANGKLUNG (Media Indonesia, 21 Maret 2009) PDF Print E-mail
Saturday, 21 March 2009

ImageBANDUNG--MI: Optimalisasi peran angklung sebagai media pendidikan untuk membentuk karakter bangsa yang berbudaya menjadi perhatian utama Saung Angklung Udjo (SAU).

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SEKOLAH DI SINGAPURA PELAJARI ANGKLUNG DAN GAMELAN (Kompas, 13 Juni 2009) PDF Print E-mail
Sunday, 12 July 2009

ImageJAKARTA, KOMPAS.com--Ratusan sekolah dasar di Singapura dan Malaysia memiliki dan mempelajari alat musik tradisional asal Indonesia yakni, angklung dan gamelan.

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Dresses

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ANGKLUNG INDONESIA

Sy sebagai orang Cirebon, Jawa Barat merasa bangga dan...

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